Thank you for a brilliant performance, so many people commented on what a great band, we will not hesitate to recommend you in the future. Play Creators Awards: This relaxed, fun evening will celebrate the recent stellar achievements of both inventors and in-house R&D teams across a raft of categories. Yet it's the play itself that is the real fascination. The fug of a 50s Soho nightclub is vividly conjured in Ultz's design of battered brown wood and misted glass. So is the flash of the Teds and gangsters who hang around in their pegs and silver suits and red plims. Tarantino's bloody print is stamped on the action. Echoes of David Mamet's voice can sometimes be heard in the slam of the dialogue, though Butterworth's rhythms are more sinuous and his vocabulary more baroque. The real godfather to the play's dandy thuggery, its blend of threat and sex, of fierce feeling and delicate phrasing, and its love of London, is Harold Pinter. When Mojo was filmed in 1997, Butterworth wrote in a small part as a gay gangster for Pinter to play. The show begins at the Harold Pinter Theatre 26th October and runs until the 25th January 2014. Child Friendly Mojo was the hit the Royal Court was looking for. When the BBC suggested adapting it for cinema, Butterworth knew he wanted in. "I was 26 and I'd always wanted to be a film director," he says. Matheson recalls visiting the playwright's Soho flat and seeing a book called How to Make a Film. "It was there on the coffee table," he laughs. "He must have thought, 'I'll get the manual.'"

If the band are unable to play your song, you can send a CD or MP3 of your first dance request and they can play it live at disco volume, then commence their set straight after.* As a slang word, mojo has a few different but related meanings. It can mean a magic talisman, personal magnetism and even the magical power to get things done. Another great performance. I need not remind you how much your music was appreciated last year as we have asked for a return visit. Another splendid performance, we all enjoyed a fantastic evening, thank you MOJO. To test the Chords’ portability, we plug our B&W P5 headphones into the Mojo and play Slowdive’s Sugar For The Pillfrom Tidal over Bluetooth.

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Use Mojo to make the most incredible Reels, Insta Stories, and social media posts. With over 500 unique, animated templates, original text styles, music, and more, you’ll see why we’re the number one content-making app. Take them out of the equation by plugging headphones directly into the smartphone and the performance isn’t anywhere near as clear, solid or detailed. The band is made up of high calibre session musicians with over 20 years of live performance experience in the industry.

While the live event will be the heart of the Play Creators Festival, this hybrid model – with virtual pitching opportunities – is a vital for us as we look to build on the success of our Virtual Mojo Pitch. It aligns with our aim to provide important opportunities for inventors and designers, wherever they may be based in the world.” Perfect Nonsense is sometimes too strenuously ho-ho to be fall-over funny. But funny it is, and as it pulls theatrical devices to pieces it gleefully shows what theatre can do. Also what Wodehouse can do. It's studded with enviable phrases, without dully illustrating them. Goofy on the outside, gimlet within, the writer had "the sort of eye that could open an oyster at 60 paces". Ezra, the owner of The Atlantic, is Silver Johnny’s jealous and domineering manager. The play opens with an unseen meeting between Ezra and Sam about the future of Silver Johnny. Outside the meeting, Ezra’s two hired guns, Sweets and Potts, talk about what is going on in the meeting. They are high on amphetamines. Baby, Ezra’s abused, psychotic son, arrives with Skinny, another member of Ezra’s gang. Baby torments Skinny to keep himself amused. MOJO is a high energy five piece covers band featuring strong male and female vocals coupled with high end musicians whose combination of experience versatility and dynamics never fail to deliver attitude with a totally professional approach.Disconnected from the Mojo, the Poly is about the size of a typical vintage cigarette lighter. When the two are attached, their combined size is closer to that of a small hipflask. Individually members of MOJO have collaborated with such artists as Justin Haywood (The Moody Blues) Mike Darbo (Manfred Man)The Commitments Andy Partridge (XTC) Sam Brown Living in a Box, Terry Dean & Bow Wow Wow and have appeared on T.V. and Radio. I wish, having much admired her as an actress in modern drama, that Isabella Laughland were both more wan and more commanding as Cordelia. Though extraordinarily convincing, livid-faced as a corpse, she is inert when supposed to be most alive. She chops up her lines as if she had something against them.

The new cast members are united in their admiration of the writing. "It's been quite hard mastering those rhythms," says Grint. "There's lots of bouncing off one another, and it's so fast-paced and charged. But it's a lot of fun." Sometimes we come across a brilliant product that isn’t quitethe finished article and, in 2017, this was one of them. Chord has since improved the Poly’s functional appeal by introducing a configuration set-up app and advancing connections and content support. The wheeze is that Wooster has hired a theatre to stage memories of a weekend in Totleigh Towers that was jammed with squeaks so narrow and consequences so dire they "might have occurred to Ibsen in one of his less frivolous moments". Stephen Mangan makes the silly ass not too appealing and just this side of maddening, with braying laugh and goofy gait. Matthew Macfadyen's immaculate, gliding (but not glacial) Jeeves helps him to put some flesh on his anecdotes by wheeling on some cardboard sets. As Mangan's eyes spin, he explains: "It's called scenery. Quite widely used in the theatre." In terms of musical matrimony, the Poly and Mojo could be gearing up for their Silver anniversary. Sonically, this is a match made in hi-fi heaven.

Langella storms on to the stage, where Robert Innes Hopkins's simple, strong design is dominated by a tarnished throne. This not a Lear who works up to his roars. He is from the beginning a wounded lion. So much so that you fear for his howls on the heath: will there be anything left after all this might? Langella impressively dredges up more desperation, but his compelling decline is essentially from authority rather than from sanity. In losing power he loses one sense of himself rather than all sense of himself. The exceptional lucidity of the production brings a limitation. The play is no longer an expression of madness, a thing made up of fragments, a disaster zone of terrible episodes. Virtual Mojo Pitch: Taking place a month after the live Play Creators Festival – across October 12th and 13th, the Virtual Mojo Pitch will provide more pitching opportunities on our dedicated digital platform. As the gang come to terms with the grizzly end of their leader, a power struggle ensues leaving individual members unsure of where they stand. The cast of Mojo is all male and primarily involved in clubs, drugs and gangs. They swear profusely, cheat regularly, occasionally murder and are generally a little amoral. Johnny Silver is the only musical talent, with the rest competing for the right to capitalise on his skill. Jez Butterworth's Mojo: characters