Harry is also just kind of blah. I also wasn't in the mood to root for a thief. I feel like a little bit this was a little of her trying to do another "Roarke" type character for her readers. We all know that Roarke started off stealing as a kid and of course got involved with criminal gangs in Ireland and then New York. Most of the dialogue and circumstances about him I think were supposed to read as thief with heart of gold, but I just kept rolling my eyes. Also Harry does have "relations" with other women in this book so when you get to the whole "heroine" in this one you wonder why it even matters. I will add that I think that most of the books where Nora just follows a "hero" it does not work as well for me, see my review of "Shelter in Place."

Mantel does something brilliant in this book: identifying the analogy between the prophetic experience – living outside time – and the experience of trauma. Alison Hart – a medium and survivor of childhood abuse – lives between worlds, between the past and the present, between the living and the dead, between the astral plane and Aldershot. FYI, I almost DNFed this thing four times. It was painful to get through. The flow was so bad. I did start to skim towards the halfway point because I found myself not caring a whit about what was going on. href: https://img1.od-cdn.com/ImageType-150/2390-1/{55C01898-08CA-406D-97CA-976E1C054A7A}IMG150.JPG Thanks to his love of acting and theatre, Booth is by now expert at switching identities, and escapes the country to avoid LaPorte’s further demands: he will not be owned. But he doubts this man will ever tire of his pursuit, and begins to long for a more settled existence: a job as an English/drama teacher in a mid-size town would fit the bill. And does, until someone who knows him arrives… We grow up with Booth and watch his talents as a thief evolve until he actually gets a rep (a good one) amongst the underground and attracts the attention of a man, LaPorte, who begins to think of Booth as much of a possession as the art and baubles he hires Booth to steal. But Booth has no plans to be anyone's possession.In the meantime Booth meets Miranda and they begin a relationship that comes in LaPorte's cross hairs. Eventually Booth decides he must take care of the LaPorte problem for good. The End of Nightwork is a novel rich in provocative and timely ideas, yet seductively readable. While the fashionable narrative method of short, separated paragraph units sometimes impedes the prose, Pol’s understated wit is fine company. And despite the novel’s complex philosophical and theological underpinning, its characters are always vividly alive. There’s a rare originality here, and a willingness to take risks, that promises great things. Roberts really is an accomplished story-teller, making this very readable, with characters who endear themselves to the reader and repay the investment of time and emotion. And this story has everything a reader could want: food, theatre, theft, love and romance, and a clever sting to turn the tables on a ruthless collector. Enjoyable, entertaining and hard to put down.

The only part in this book that I genuinely loved was the one which had Harry's mother. That's really the only point where I empathized with Harry, which is also why I felt entirely too much and cried like a baby. New York Times bestselling author Nora Roberts introduces an unforgettable thief in an unputdownable new novel... Now, my problem with too expansive stories - a huge range of time, too many events, too many places, too many people but not enough character building. Or at least not enough of it words, which is what counts here. I could guess a lot of this guy's character building was there - under the surface - because he had to repress all his feelings to get his 'nightwork' done in tne beginning, and this repression ended up being a survival technique. But having to guess something like this feels like being shortchanged.Harry Booth started stealing at nine to keep a roof over his ailing mother’s head, slipping into luxurious, empty homes at night to find items he could trade for precious cash. When his mother finally succumbed to cancer, he left Chicago—but kept up his nightwork, developing into a master thief with a code of honor and an expertise in not attracting attention—or getting attached. I want to start by saying that I tried to keep my walls up about our main character. He has so many names, but Booth is the most important. I tried so hard not to love him and failed completely. He was just a kid when he stole to keep his mother's bills paid while she fought the demon that is cancer. He was barely out of high school when he lost her. He traveled and changed who he was and existed in a world that never gave him a chance. For me, the sign of an awesome author is one who changes the tide of the story with such subtlety that you do not even realize it is happening. bioText: NORA ROBERTS is the #1 New York Times bestselling author of more than 230 novels, including Legacy, The Awakening, Hideaway, Under Currents, The Chronicles of The One trilogy, and many more. She is also the author of the bestselling In Death series written under the pen name J.D. Robb. There are more than 500 million copies of her books in print.

Harry Booth started stealing at nine to keep a roof over his ailing mother's head, slipping into luxurious, empty homes at night to find items he could trade for precious cash. When his mother finally succumbed to cancer, he left Chicago—but kept up his nightwork, developing into a master thief with a code of honor and an expertise in not attracting attention—or getting attached.imprint St. Martin's Press publishDate 2022-05-24T00:00:00-04:00 isOwnedByCollections True title Nightwork fullDescription Will Damron was just about perfect in his storytelling and characterizations. I particularly liked how his female voices sounded normal, not affected like some male narrators tend to go. It’s a long story and his voice tone made the time fly by. He’s got serious skills.