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Gothic Violence

Gothic Violence

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Krys Svitlana, " Folklorism in Ukrainian Gotho-Romantic Prose: Oleksa Storozhenko’s Tale About Devil in Love (1861)." Folklorica: Journal of the Slavic and East European Folklore Association, 16 (2011), pp. 117–138. Clarke, Micael M. (2011). "Charlotte Brontë's "Villette", Mid-Victorian Anti-Catholicism, and the Turn to Secularism". ELH. 78 (4): 967–989. doi: 10.1353/elh.2011.0030. ISSN 0013-8304. JSTOR 41337561. S2CID 13970585.

Gothic fiction - Wikipedia Gothic fiction - Wikipedia

Toxic love, on the other hand, can manifest in the form of unjustifiable violence. Caroline Kepnes's novel, You, presents an example of this as the protagonist, who is unnaturally obsessed and possessive of his several lovers, murders any person that might compromise their happiness or get in the way of their relationships. [54] This type of obsessive love may also root from feelings of jealousy that, depending on the circumstances, can result in acts of domestic violence against the subject of obsession. [55]

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Linda Parent Lesher, The Best Novels of the Nineties: A Reader's Guide. McFarland, 2000 ISBN 0-7864-0742-5, p. 267. Smith, Andrew, and Diana Wallace, "The Female Gothic: Then and Now." Gothic Studies, 25 August 2004, pp. 1–7. Contemporary American writers in the tradition include Joyce Carol Oates in such novels as Bellefleur, A Bloodsmoor Romance, and short story collections Night-Side (Skarda 1986b) and Raymond Kennedy in his novel Lulu Incognito. [92] By the Victorian era, Gothic had ceased to be the dominant genre for novels in England, partly replaced by more sedate historical fiction. However, Gothic short stories continued to be popular, published in magazines or as small chapbooks called penny dreadfuls. [2] The most influential Gothic writer from this period was the American Edgar Allan Poe, who wrote numerous short stories and poems reinterpreting Gothic tropes. His story " The Fall of the House of Usher" (1839) revisits classic Gothic tropes of aristocratic decay, death, and madness. [55] Poe is now considered the master of the American Gothic. [2] In England, one of the most influential penny dreadfuls is the anonymously authored Varney the Vampire (1847), which introduced the trope of vampires having sharpened teeth. [56] Another notable English author of penny dreadfuls is George W. M. Reynolds, known for The Mysteries of London (1844), Faust (1846), Wagner the Wehr-wolf (1847), and The Necromancer (1857). [57] Elizabeth Gaskell's tales "The Doom of the Griffiths" (1858), "Lois the Witch," and "The Grey Woman" all employ one of the most common themes of Gothic fiction: the power of ancestral sins to curse future generations, or the fear that they will. In Spain, Gustavo Adolfo Bécquer stood out with his romantic poems and short tales, some depicting supernatural events. Today some consider him the most-read Spanish writer after Miguel de Cervantes. [58] Jane Eyre's trial through the moors in Charlotte Brontë's Jane Eyre (1847)

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Alexander Pope, who had a considerable influence on Walpole, was the first significant poet of the 18th century to write a poem in an authentic Gothic manner. [18] Eloisa to Abelard (1717), a tale of star-crossed lovers, one doomed to a life of seclusion in a convent, and the other in a monastery, abounds in gloomy imagery, religious terror, and suppressed passion. The influence of Pope's poem is found throughout 18th-century Gothic literature, including the novels of Walpole, Radcliffe, and Lewis. [19] Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown.

In America, pulp magazines such as Weird Tales reprinted classic Gothic horror tales from the previous century by authors like Poe, Arthur Conan Doyle, and Edward Bulwer-Lytton, and printed new stories by modern authors featuring both traditional and new horrors. [83] The most significant of these was H. P. Lovecraft, who also wrote a conspectus of the Gothic and supernatural horror tradition in his Supernatural Horror in Literature (1936), and developed a Mythos that would influence Gothic and contemporary horror well into the 21st century. Lovecraft's protégé, Robert Bloch, contributed to Weird Tales and penned Psycho (1959), which drew on the classic interests of the genre. From these, the Gothic genre per se gave way to modern horror fiction, regarded by some literary critics as a branch of the Gothic, [84] although others use the term to cover the entire genre. Gothic fiction and Modernism influenced each other. This is often evident in detective fiction, horror fiction, and science fiction, but the influence of the Gothic can also be seen in the high literary Modernism of the 20th century. Oscar Wilde's The Picture of Dorian Gray (1890) initiated a re-working of older literary forms and myths that became common in the work of Yeats, Eliot, and Joyce, among others. [81] In Joyce's Ulysses (1922), the living are transformed into ghosts, which points to an Ireland in stasis at the time and a history of cyclical trauma from the Great Famine in the 1840s through to the current moment in the text. [82] The way Ulysses uses Gothic tropes such as ghosts and hauntings while removing the supernatural elements of 19th-century Gothic fiction indicates a general form of modernist Gothic writing in the first half of the 20th century. The following poems are also now considered to belong to the Gothic genre: Meshchevskiy's "Lila", Katenin's "Olga", Pushkin's "The Bridegroom", Pletnev's "The Gravedigger" and Lermontov's " Demon" (1829–1839). [52] Derkenne, Jamie (2017). "Richard Flanagan's and Alexis Wright's Magic Nihilism". Antipodes. 31 (2): 276–290. doi: 10.13110/antipodes.31.2.0276. ISSN 0893-5580. JSTOR 10.13110/antipodes.31.2.0276. Flanagan in Gould's Book of Fish and Wanting also seeks to interrogate assumed complacency through a strangely comic and dark rerendering of reality to draw out many truths, such as Tasmania's treatment of its Indigenous peoples. Society, National Geographic (2020-04-01). "Storytelling". National Geographic Society . Retrieved 2022-04-18.



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